I’m about to run out of credit is glucophage and glucophage xr the same In 1968 a ‘frizzy-haired guy with a Fu Manchu moustache and a box under his arm’ walked into the offices of Creative Camera magazine on Doughty Street, Bloomsbury, for a meeting with its editor, Bill Jay. It was an unusual set-up crammed in next to the headquarters of its sister title Racing Pigeon, where Jay would work to the cooing accompaniment of the eponymous birds in the coops outside. ‘Your magazine’s shit,’ the visitor, a 26-year-old photographer named Tony Ray-Jones, announced. ‘But I can see you’re trying.’ And he handed Jay the box.
